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Poems in Motion Repertoire

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Video Excerpts - Photos - Description

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(video: Gary Prendergast, Anatomy of a Storm)

Lifeline (2020)

Commissioned specifically for Overdose Awareness Day 2020 in Nanaimo, Lifeline poem in motion mainly reflects on how to create embodied compassion, develop empathy and find ways to process trauma through movement creation. This site-specific poem in motion was performed on Wesley street near Nanaimo’s tent city, in and around Standing Figure #10 sculpture by Troy Moth to encourage audience to take a new point of view on the site and the issue.

Choreography, Poem and Performance: Genevieve Johnson

Music and Camera: Sofina Johnson

Dramaturgy: Holly Bright

Nested: Lean and Rise (2020)

From a place within and without, leaning on our self and each other for support, we can rise from adversity and grow, through the threads we weave in resonance as a community. This piece celebrates the space and beauty of Vancouver Island as well as the bond built through knitting together, embedding our hopes and fears in the weft, that allowed me to nest, lean and rise back again in order to continue forward. Nested: Lean and Rise was performed for InFrinGinG Dance Festival 2020 in a beautiful field around East Wellington area.

Choreography, Poem, Performance: Genevieve Johnson

Music Composition and Performance: Sofina Johnson

Kimono Conception-Creation: Marcelle Moisan, Genevieve Johnson

Knitters: Family, Friends, the Community

Camera: Stefan Johnson

The Sun and The Moon (2018)

The sunrise and sunset reflect the beauty of love; reliable in its power to attract, repel, destroy and create. Based on a story by Snuneymuxw First Nations Traditional storyteller and contemporary author Celestine Aleck. This piece was performed at the Nanaimo Port Theatre for InFringinG Dance Festival and at the Vancouver Firehall for Dancing On The Edge Festival.

Choreography: Holly Bright

Collaborator and Author: Celestine Aleck

Collaborators and Performers: Genevieve Johnson and Nicola Jackson

Video Projection: Chimera Project

Lighting Design: John Carter

Video: Chris Randle, Vancouver Dancing On The Edge Festival 2018

Anatomy of a Storm (2015)

Stemming from her son’s anxiety and panic attacks at the time, Genevieve explores the feeling of helplessness a mother can have in front of her child sufferings. How to find ways to support and move forward with love?

Choreography and Performance: Genevieve Johnson

Music Composition and Performance: Kenny Brault

Camera: Gary Prendergast

Poetry Night (2017)

This poetry night brought together poets and dancers. Moved by the words of Carla Funk, Genevieve transpose hope, love and grief into visual poetry.

Poems Writing and Reading: Carla Funk

Choreography and Performance: Genevieve Johnson

Camera: Marcelle Moisan

Umbrellas (2016)

Umbrellas was created for visual artists Grant Leier and Nixie Barton. It was presented during the City of Nanaimo's 2016 Culture and Heritage Awards Ceremony at The Port Theatre. Inspired by four of their paintings, Holly Bright and Genevieve Johnson set movements to their extravagant compositions of colours, lines and textures.

Choreography and Performance: Holly Bright and Genevieve Johnson

Lighting Design: John Carter

Photos: Craig Letourneau

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two female dancers seated in a field of umbrellas
two female dancers moving with umbrellas as if they were giant flowers
foot appearing through a cluster of umbrellas

Still Snowing II: Climbing Up Waterfalls (2013)

A journey through skin and bones, bark and stones: a revelation of self through nature metamorphisis.

Choreography and Performance: Genevieve Johnson

Music: Patrick Graham

Photos: Rachel Kirk

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female dancer's back moving out of a white dress
female dancer's back moving out of a white dress
female dancer's back moving around a floating red flower

What the Water Whispers (2013)

Embarking into a river’s journey from glaciers to ocean through every meandering corners filled with stones and branches… A woman evolves on stage as the water that can give and take life, water that we need to notice, respect and protect. Presented at the Nanaimo Port Theatre.

Choreography: Holly Bright

Collaboration and Performance: Genevieve Johnson

Musicians and Writers: Hilary Peach and DB Boyko

Lighting and Set design: Mike Taugher and Andrew Pye

Camera: Paul Manly

Still Snowing (2009)

Exploring the body as micro-climates through embodying Vancouver Island powerful rain forest and coastal temperamental weather.

Choreography and Performance: Genevieve Johnson

Cinematography, Camera and Performance: Paul Manly

Music Composition and Performance: Patrick Graham

Brief Encounters (2008)

A strange interview with emoting movements for answers through the brief encounter between a camera's two dimensionality and the three dimensions of the stage.

Choreography and Performance: Genevieve Johnson

Cinematography, Camera and Performance: Paul Manly

Music: Patrick Graham

Relics

A young woman experiences transformation through embodied memories of objects that surrounded her through life. Like a walk through time, she revisits events, places and people before moving on…

Choreography and Performance: Genevieve Johnson

Music Composition and Performance: Patrick Graham and Nicholas Willams

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female dancer moving on stage with a suspended silk kimono that looks like a floating figure
dancer moving in an installation of suspended red elastics attached floor to ceiling
arm poking through a suspended silk kimono that looks like a floating figure

A Baroque Fear (2009)

Shadows of duality, haunting nightmare creatures, morphing childhood fear, destabilizing uncanniness… in a series of unsettling tableaux of deformities.

Choreography and performance: Genevieve Johnson

Collaboration and performance: Holly Bright

Music: Patrick Graham

Skirt: Caroline Mercier

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dancer moving with a heavy skirt made of masks with an arm poking from its bottom edge
dancer moving with a heavy skirt made of masks with a leg poking from its bottom edge and an arm from its waistline
dancer moving with a heavy skirt made of masks with an extra long leg poking from its bottom edge
dancer moving with a heavy skirt made of masks with the torso and head of a second dancer poking from its bottom edge